Born
in Suffern, New York on September 9, 1942, Linda Gregg grew up in Marin
County, California. She received her BA and MA from San Francisco State
University.
Her first book of poems, Too Bright to See, was published in 1981. Since then, she has published several collections of poetry, including: All of It Singing (Graywolf Press, 2008), the 2009 recipient of the Lenore Marshall Poetry Prize and winner of the Poetry Society of America’s William Carlos Williams Award; In the Middle Distance (2006); Things and Flesh (1999); Chosen by the Lion (1994); The Sacraments of Desire (1991); Alma (1985); and Eight Poems (1982).
About Gregg’s work, the poet W. S. Merwin
has said, “I have loved Linda Gregg’s poems since I first read them.
They are original in the way that really matters: they speak clearly of
their source. They are inseparable from the surprising, unrolling,
eventful, pure current of their language, and they convey at once the
pain of individual loss, a steady and utterly personal radiance.”
Gregg’s
honors include a Guggenheim Fellowship, a Lannan Literary Foundation
Fellowship, a National Endowment for the Arts grant, a Whiting Writer’s
Award, as well as multiple Pushcart Prizes. She was the 2003 winner of
the Sara Teasdale Award and the 2006 PEN/Voelcker Award winner for
Poetry.
She has taught at the University of Iowa, Columbia
University, and the University of California at Berkeley. She currently
lives in New York and teaches at Princeton University.
A Language for Nature: Preserving the Hawaiian Rainforest
Texts about this Poet:
From the Archive: Stanley Kunitz and W. S. Merwin
From the Archive: May Swenson and the Merwins
From the Archive: Petition for Octavio Paz
From the Archive: Marie Bullock and the Chancellors
William
Stanley Merwin was born in New York City on September 30, 1927. He was
raised in Union City, New Jersey and Scranton, Pennsylvania, as the son
of a Presbyterian minister, and began writing hymns as a child. Merwin’s
mother had grown up an orphan, and later lost her brother and her first
child; Merwin’s father was raised in a hard and violent home. The grief
from these tragedies, the inherited violence, and the surrounding
poverty, run throughout Merwin’s poetry, across a career that spans five
decades.
Merwin attended Princeton University on a scholarship, where he was a classmate of Galway Kinnell, and studied poetry with the critic R. P. Blackmur, and his teaching assistant, John Berryman.
After graduating in 1948, he spent an additional year at Princeton
studying Romance language, a pursuit that would later lead to his
prolific work as a translator of Latin, Spanish, and French poetry.
Merwin
soon married his first wife, Dorothy Jeanne Ferry, and began writing
verse plays and working as a tutor to the children of wealthy families.
He traveled throughout Europe, and in 1950 took a position in Majorca,
Spain as an instructor to the son of Robert Graves.
While there, he met Dido Milroy, who he eventually married after ending
his first marriage. His relationship with Dido became deeply
influential, and helped propel him into literary circles and find work
as a translator.
Merwin’s first collection, A Mask for Janus (Yale University Press, 1952), was selected by W. H. Auden
for the Yale Series of Younger Poets. The formal and ornate collection
was praised by Auden for its technical virtuosity, and bore the
influence both of Graves and the medieval poetry Merwin was translating,
in its focus on classical imagery and myth.
After leaving
Majorca, Merwin remained in Europe, living in London and the South of
France for several years. In 1956, he received a fellowship from the
Poets’ Theater in Cambridge, MA, and moved back to the United States.
While in Boston, he entered the circle of writers that surrounded Robert Lowell
and decided to abandon his verse plays to concentrate on poetry,
seeking a more American vernacular and turning inward, toward more
introspective and personal subjects. At this time he also began
experimenting with form and irregular metrics.
His books written during this time, Green with Beasts (Alfred A. Knopf, 1956) and The Drunk in the Furnace
(Macmillan, 1960), both demonstrate the beginning of a significant
shift in style and perspective, which intensified in his later work. A New York Times review of The Drunk in the Furnace noted “the earthiness, the grittiness, the humane immediacy that informs the finest of these poems.”
Merwin and Dido soon moved back to Europe, and lived in London and the South of France. They became close friends with Sylvia Plath and Ted Hughes,
and witnessed the brutal collapse of their marriage and Plath’s
eventual suicide. In 1968, Merwin and Dido separated, and he began
living for part of the year in New York.
In 1967, Merwin published the critically acclaimed volume, The Lice (Atheneum, 1967), followed by The Carrier of Ladders
(Atheneum) in 1970, both of which remain his most influential
collections. Both books use classical legends as a means to explore
personal and political themes, including his opposition to the Vietnam
War. In 1971, Merwin received the Pulitzer Prize for The Carrier of Ladders. In a letter to the New York Review of Books,
he declared his intention to donate the $1000 prize to antiwar causes
as protest, because of his objection to the war. Auden responded through
his own letter that the Pulitzer judges were not a political party and
had no ties to American foreign policy.
In 1976, Merwin moved to
Hawaii to study with the Zen Buddhist master Robert Aitken. There he
married Paula Schwartz in a Buddhist ceremony in 1983. Merwin settled in
Maui, in a home that he helped design and build, surrounded by acres of
tropical forest which he painstakingly restored after the land had been
devastated and depleted after years of erosion, logging, and
agriculture. The rigorous practice of Buddhism and passionate dedication
to environmentalism that Merwin devoted himself to in Hawaii has
profoundly influenced his later work, including his evocative renderings
of the natural world in The Compass Flower (Atheneum, 1977), Opening the Hand (Atheneum, 1983), and The Rain in the Trees (Alfred A. Knopf, 1988), as well as The Folding Cliffs (Alfred A. Knopf, 1998), a novel-in-verse drawing on the history and legends of Hawaii.
Over the course of his long career, Merwin has published over twenty books of poetry. His recent collections include Garden Time (Copper Canyon Press, 2016); The Moon Before Morning (Copper Canyon Press, 2014); The Shadow of Sirius (Copper Canyon Press, 2008), which won the 2009 Pulitzer Prize; Migration: New & Selected Poems (Copper Canyon Press, 2005), which won the 2005 National Book Award; The River Sound (Alfred A. Knopf, 1999), which was named a New York Times Notable Book of the Year; Flower and Hand: Poems 1977-1983 (Copper Canyon Press, 1997); and Travels (Alfred A. Knopf, 1993), which received the Lenore Marshall Poetry Prize.
He has also published nearly twenty books of translation, including Collected Haiku of Yosa Buson (Copper Canyon Press, 2013), with Takako Lento; Sir Gawain and the Green Knight (Alfred A. Knopf, 2004); Dante’s Purgatorio (Alfred A. Knopf, 2000); and volumes by Federico García Lorca and Pablo Neruda. His numerous plays and books of prose include Unchopping a Tree (Trinity University Press, 2014); The Book of Fables (Copper Canyon Press, 2007), a collection of his short prose; Summer Doorways (Counterpoint, 2006), a memoir of his childhood; and The Lost Upland (Alfred A. Knopf, 1992), his memoir of life in the south of France.
Most recently, he received the 2014 Harold Morton Landon Translation Award from the Academy of American Poets, for his Selected Translations (Copper Canyon Press, 2013).
About W. S. Merwin’s work, judge David Hinton said:
W.
S. Merwin’s art is ravenous, and this award celebrates that hunger. To
translate is to inhabit another voice, which in turn enlarges one’s
horizons as a writer; and Merwin’s huge Selected Translations
represents a lifetime spent doing just that: feeding his own art with
other voices. The book is a museum of world poetry, collecting artifacts
from a vast range of cultures and times. This year, in addition to the Selected Translations,
Merwin also published a voluminous translation from one of Japan’s
greatest classical poets, a major addition to his world-poetry museum: Collected Haiku of Yosa Buson. And so continues Merwin’s lifelong gift to our hunger for other voices.
His other honors include the Academy of American Poets Fellowship,
the Aiken Taylor Award for Modern American Poetry, the Bollingen Prize,
the Governor’s Award for Literature of the State of Hawaii, the Lannan
Literary Award for Lifetime Achievement, the Lila Wallace-Reader’s
Digest Writers’ Award, the Lenore Marshall Poetry Prize from the Academy of American Poets, the PEN Translation Prize, the Ruth Lilly Poetry Prize, the Shelley Memorial Award, the Wallace Stevens Award from
the Academy of American Poets, and the Zbigniew Herbert International
Literary Award, as well as fellowships from the Guggenheim Foundation,
the National Endowment for the Arts, and the Rockefeller Foundation.
He is a former Chancellor
of the Academy of American Poets and has served as Poetry Consultant to
the Library of Congress. He served as Poet Laureate of the United
States from 2010 to 2011. He currently lives and works in Hawaii. Bibliography Poetry
Garden Time (Copper Canyon Press, 2016) The Moon Before Morning (Copper Canyon Press, 2014) The Shadow of Sirius (Copper Canyon Press, 2008) Present Company (Copper Canyon Press, 2007) Migration: New & Selected Poems (Copper Canyon Press, 2005) The Pupil (Alfred A. Knopf, 2001) The River Sound (Alfred A. Knopf, 1999) The Folding Cliffs (Alfred A. Knopf, 1998) Flower and Hand: Poems 1977-1983 (Copper Canyon Press, 1997) The Vixen (Alfred A. Knopf, 1996) Travels (Alfred A. Knopf, 1993) The Rain in the Trees (Alfred A. Knopf, 1988) Opening the Hand (Atheneum, 1983) The Compass Flower (Atheneum, 1977) The Carrier of Ladders (Atheneum, 1970) The Lice (Atheneum, 1967) The Drunk in the Furnace (Macmillan, 1960) Green with Beasts (Alfred A. Knopf, 1956) A Mask for Janus (Yale University Press, 1952) Prose
Selected Translations (Copper Canyon Press, 2013) Collected Haiku of Yosa Buson, with Takako Lento (Copper Canyon Press, 2013) Sir Gawain and the Green Knight (Alfred A. Knopf, 2004) Dante’s Purgatorio (Alfred A. Knopf, 2000)
